Choreography
Vincent Dunoyer
 
Performed by
Anne Teresa De Keersmaeker, Vincent Dunoyer
 
Muse
Fumiyo Ikeda

Choreographic material
Nicole Balm, Nordine Benchorf, Iris Bouche, Jordi Cassanovas Sempere , Marta Coronado, Oscar Dasi y Perez, Tale Dolven, Natalia Espinet Valles, Alix Eynaudi, Nadine Ganase, Thomas Hauert, John Jasperse, Kitty Kortes Lynch, Marion Levy, Cynthia Loemij, Mark Lorimer, Sara Ludi, Nathalie Million, Anne Mousselet, Roberto Oliván de la Iglesia, Elizaveta Penkóva, Pere Pladevall, Carlotta Sagna, Salva Sanchis, Johanne Saunier, Taka Shamoto, Clinton Stringer, Eduardo Toroja, Rosalba Torres Guerrero, Samantha Van Wissen, Frank Vercruyssen

Dancers Video
Pere Pladevall, Kitty Kortes Lynch, Cynthia Loemij, John Jasperse

Voices
Nicole Balm, Jordi Cassanovas Sempere
 
Music
F. Schubert, Ständchen, D 920

Light and technical coordination
Hans Meijer assisted by Jitske Vandenbussche

Scenography
Vincent Dunoyer

Thanks to
Herman Sorgeloos

Costumes
Anne-Catherine Kunz
 
Photography
Mirjam Devriendt
 
Production Manager
Hanne Van Waeyenberge
Johan Penson assisted by Tom Van Aken
 
Production
Rosas
 
Coproduction
ImpulsTanz Wien
 
Première
14/07/07, ImpulsTanz, Vienna

Photos (c) Herman Sorgeloos

From 1990 to 1994 Vincent Dunoyer was frequently in the spotlight as a dancer with Rosas and later went his own way as a choreographer. Over the last ten years he has built up a remarkably consistent oeuvre. His solos and duets repeatedly raise the same questions. Firstly the question of whether dance is born on the stage or is only truly complete when the spectator watches it. Dunoyer also wonders whether the experience of dance is defined by the performance or rather by the choreography. And lastly he wonders about the significance and role of the pictures, such as photos, that remain once the dance is over. The good thing is that Dunoyer does not ask these questions theoretically, but lets them arise out of the practice itself, out of the creation of performances, as if in passing, poetically. The questions Dunoyer asks do not exist outside his work, but in his work they are insistent.