En Atendant

Anne Teresa De Keersmaeker / Rosas

En Atendant

In En Atendant, Anne Teresa De Keersmaeker is taking a new step in her exploration of the combination of music and dance. After Bach and Webern in Zeitung, The Beatles in The Song and Mahler in 3Abschied, this time her starting point is the Ars Subtilior: a complex and intellectual form of polyphonic music from the 14th century that is based on dissonance and contrast. Ars Subtilior developed on the ruins of the plague and the Church at a time when the social, political and religious pillars of mediaeval society were fragmenting. Nowadays this upheaval seems more relevant than ever. In the light of today’s increasingly confusing events and the complexity of the choices we face, the question of our mortality and physicality is becoming ever more crucial.

Anne Teresa De Keersmaeker
Created with and danced by
Boštjan Antončič, Carlos Garbin, Cynthia Loemij, Mark Lorimer, Mikael Marklund, Chrysa Parkinson, Sandy Williams, Sue-Yeon Youn
...L(ÉLEK)ZEM..’ - Istvan Matuz
En Atendant, souffrir m’estuet (ballade) - Filippo da Caserta
Estampie En Atendant 2 (2010) - Bart Coen
Sus un’ Fontayne (virelai) - Johannes Ciconia
Je prens d’amour noriture (virelai) - anonymous
Esperance, ki en mon coeur - anonymous

Michael Schmid/Julian Elvira en Cour & Coeur: Bart Coen/Dimos De Beun/An Van Laethem, Birgit Goris/Thomas Baeté, Annelies Van Gramberen/Els Van Laethem/Olalla Alemán

Michel François

Anne-Catherine Kunz

Musicological advisor
Felicia Bockstael

Alex Fostier


De Munt / La Monnaie (Brussels), Festival Grec (Barcelona), Grand Théâtre de Luxembourg, Théâtre de la Ville (Paris), Festival d’Avignon, Concertgebouw Brugge

World Première
Festival d'Avignon, Cloître des Célestins, July 9, 2010